This book is aimed at witches who want to deepen their engagement with their Craft. It explores modes and types of ritual; how rituals work; the uses of sound and silence in ritual; the witch’s journey through life; the stages and pitfalls of the inner work. It shows how Queer Witchcraft is an inherent aspect of the archetype of the witch; how witchcraft relates to the land; witchcraft as resistance to oppression; working with ancestors; the witch’s pact with spiritual powers; the relationship between madness, shamanism, and witchcraft; and the concept of the night journey, another very old image from the history of witchcraft; how to use insights gained from the practice of witchcraft in everyday life; group dynamics; being a coven leader; teaching and learning in a coven; egregore, lineage, upline, and downline; power and authority; the process of challenging oppression; how to evaluate your Craft; the meaning and purpose of ‘spirituality’, religion, and magic; the archetype of the witch and what it means.
When I was writing Dark Mirror, I didn’t realise until I stitched all the files together that I had written 150,000 words. So I thought the best thing to do would be to split it into two books, and this is the second of the two. Its focus is more on traditional witchcraft, the land, and resistance to oppression. I chose the title partly because a friend commented that she really liked the phrase, partly because the concept was so central to ideas of witchcraft in past centuries, and partly because of its resonance with other esoteric traditions.